Solving the Hard-to-Shop-For-Mother Quandary: A Little Macaroni and a lot of Inner Child

“Remember when you used to make me cards and presents for Christmas?”

I should never have made her that scrap-wood jewelery box when I was 8 -- I set the bar too high.

My mother, my wing-woman, is an Italian-Irish Catholic Canadian, but I swear, she’s got that New York City Jewish Mother knack for instilling a stomach-churning sense of guilt.

“I always liked it when you made me cards and presents for Christmas.”

She said this to me one December 22nd as she drove me home from college. I had just grumbled something inaudible about being behind on my gift-buying. Not 30 minutes had passed since I was freed from the relentless push of the semester’s end and I was worn out from two weeks of exams and term papers. There had been no time to eat and sleep let alone tackle the NYC holiday shopping crowds. Not surprisingly, I was in that typical student mode of pure selfishness. Forget holiday shopping and bow making. Forget fa la la la laaaing and joy to the world. I was going to sleep for the next 24 hours… some one else could deck the halls.

My mother, like all mothers, is a notoriously bad person to draw in Secret Santa. Shopping for her Christmas gifts makes me sweat, ties knots in my stomach, and often causes hyperventilation — I started carrying a brown paper bag with me when I hit the mall in Santa mode. Yet, once upon a time, all I had to give her for Christmas was a glittered construction paper and doily card gingerly assembled during afternoon craft hour.

Mum had made a good point (one I’m not entirely sure she meant to make) — homemade presents are not only more thoughtful, they’re also easier: standards are lower.

A summer vacation scrapbook? Who doesn't love a sentimental photo album, witfully assembled?

At home, bedraggled but eager to please, I rummaged through drawers and bins on a hunt for stowed-away crafting supplies. I should never have made her that scrap-wood jewelery box when I was 8 — I had set the resourceful bar high. Many years later, the only materials at my disposal were faded construction paper, colored string, and macaroni.

“You’re an art student,” my father, who escapes the thinking/shopping challenge through gift certificates, said encouragingly. “Surely, you can come up with something.”

“Dad, it’s Art History. I don’t make stuff. I analyze stuff other people make.”

Sitting on my living room floor, in front of the fire, I consulted my creative side and got to work. A humorous scrapbook from our summer vacation? Who doesn’t love a sentimental photo collage?

A construction paper collage card? It would be just like kindergarten. Half the fun of Christmas is rekindling your inner child, isn’t it?

But the piece de resistance of that Christmas? The pasta necklace.

Despite its aesthetic qualities and the diligence with which it was crafted, like many a Christmas present past, it never got any use. But my mother’s hearty laugh and big hug upon opening it said it all: this time, it really was the thought that counted.

 

A construction paper card and macaroni necklace made by a 20-year old college student. Without a doubt, it was the thought that counted.



The Progress of Love? The Stages Stay the Same, It’s the Content that Gets the Update

45 minutes after meeting each other, they were off in the corner of the lounge lip-locked. A few days later, text messages inquires attempted to arrange a proper date — neither had the time and the exchanges ceased. A week passed and she awoke to a Facebook friend request, a miracle considering she never game him her last name. As she clicked “accept,” it occurred to her that they might have done things totally out of order…

Back when I was a bright-eyed student enrolled in Art History 101, I was given an assignment to write a short paper on a painting housed in New York’s Frick Collection. I settled on a series of 18th century baroque panels by the French artist Jean-Honore Fragonard entitled “The Progress of Love.” Floral-ridden and chocolate-box-esque, the 4 tableaux track love from its uncertain beginnings to a happy ending. Beginning with “The Pursuit”  the artist takes us through “The Meeting,” “The Lover Crowned,” and “Love Letters.”

It’s been a long time since I thought about these paintings, but as I compared dating notes with a few girl friends who recently acquired/deactivated boyfriends, I decided the scenes set among the frilly, baroque gardens of earthly delights needed a 21st century make over…

The Pursuit (the attempt at seduction):

She's out with her girl friends, but that doesn't stop him from making his approach.

In Fragonard’s day, when masquerade balls were probably the 18th century’s closest approximation of OkCupid, The Pursuit really only happened in the flesh. Today, technology grants us endless ways to approach (stalk?) our future lovers, but at the end of the day, we still prefer a good chase in the real world…

Much Like Fragonard’s leading lady, today’s heroine is out with her girl friends when He makes his approach. He catches her off guard — the last thing she had on her mind tonight was getting lucky. He nonchalantly slips in next to her at the bar and leads with a corny pickup line because he figures  it’ll make her laugh.  It does. The usual questions are asked and answered. He offers to buy her a refill. She accepts. There’s an occasional arm touch or shoulder tap. Her friends drag her away – they have places to go! She won’t give out her number. But shouts back her name, spelling it out for him. If you want to find me, you’ll find me, she tells him. Lucky for him, he has a good memory. He tracks her down on Facebook. A friend request. Accepted.

She’s out again with her friends, a drink down the hatch when they convince her to message him and find out what he’s doing that night. The doors are wide open. Messages fly back and forth for the next few days. He’s busy. She’s busy. He’s busy. She’s busy. Radio silence. A week passes, then finally he tries again. They agree to a proper date…

The Meeting (the moonlit assignation)

The Moonlit assignation, or the First Date

First dates don’t happen on weekends anymore. Weekends are reserved for real friends. Weekends allow you to behave out of character. Weekends have consequences.

They agree to meet on Tuesday night, after work, for drinks and dinner. She has a 9AM meeting Wednesday morning with a big client — the perfect built-in out for when things start to go rough. He’s decided she’s worth impressing and takes her some place upscale but understated. By now, they’ve both forgotten what the other person actually looks like in real life, and are surprised to find they’re attracted to each other.

He’s nervous and spills her drink. The ice is broken, literally and figuratively, and the subsequent conversation is lively. Before they know it, the maitre d’hotel is kicking them out — it’s closing time. He wants to kiss her. She’s sorry it’s a Tuesday, hugs him instead (what restraint!) and they agree to meet again.

Love Letters (the continuation of a happy union)

after the meeting comes the love letters... or love texts

In Fragonard’s series, this actually comes last — the happy couple send letters to reinforce their eternal love for one another. Today, I’m not sure how many people exchange handwritten love letters any more. However, the exchange of love notes in 2010/11 take on many forms, thanks to BBM and text messages. Fingers shoot across miniature keyboards in rapid-fire, concise exchanges. “Wanna come over?” “what r u wearing”  “;)” NC-17 camera phone images strengthen the lust, while the occasional “i miss u” or “dinner 2nite?” tug at the heart strings.

The Lover Crowned (they finally get it on)

When she was 18, her mother gave her a copy of “The Rules.” Recently, she’d been watching “Millionaire Matchmaker.” Both advocate waiting until a relationship turns monogamous before sleeping with the guy. She always felt this approach got her into more trouble than it was worth, but she’s been trying to stick with it. They’re a few weeks into things and out to dinner when he asks her if she’d like to join him at his sister’s wedding next week. Gulp!

“So..um…what’s up with us?” she asks, knowing that she’s about the meet his whole extended family. Is she “a friend” or “the girlfriend?”

The verdict? She’s the girlfriend…

They go back to his place. Clothes fly off — in the morning, there’s shirts in the kitchen, pants in the living rooms and trails of random garments hanging off the furniture. Thank goodness it’s a Sunday morning.

Finally, she gets to close the book on The Rules.

Next stop? The Swing?

Fragonard's "The Swing"... I don't think this one needs an update 😉

Getting to Know My Family: Meet Stewart, My Favorite Brother

“Don’t you lift those bag of wood chips,” my mother screamed at my father from the bedroom window. “They’re 50 pounds each! Kathleen will do it.” I stood up from the log pile, put down the axe, and looked at my father.

Just righting a fallen tree... Can't Stewart do it?

“You can put them in the wheelbarrow,” he said to me. “This way you can take them all to the top of the yard at once.”

“Them all” equated to 6 bags.  “The top of the yard” meant an acre uphill trek.

“Can’t you get Stewart to do it?” I whined with a grunt as I threw the first bag over my shoulder.

I grew up in the suburbs of Manhattan. At an early age, I was introduced to art and music and exposed to the cosmopolitan life.  I took ballet, rode horses, played the violin at Carnegie Hall and Lincoln Center, and fenced. One might argue that I was raised to marry into royalty, but I’d swear my parents raised me to be the wife of an Iowa farmer… in 1860.

I don’t know whether it was the Thanksgiving Day vacuuming accident that landed my mother in the ER or the conversation my father overheard my girl friends and me having about our bench-press goals, but something convinced my parents that their little girl was good at physical labor. Once they discovered they were right, I was done for.

The fridge has to be moved. No problem, Kathleen will do it. The fence needs to be power-washed. No problem, Kathleen will do it. We’re having 10 people over for a 3-course dinner. No problem, Kathleen will take care of it.

I say, why can’t Stewart do it?

Stewart is my dreamy, 6’2, rugged, utilitarian imaginary brother. That’s right. I’m 25 and I have an imaginary brother.

Stew has a knack for making me laugh, particularly in the kitchen

Stewart is the type of brother who tied the feet of my pajamas together when I was a toddler, called me “Tubs” during my awkward tween years, and glued the shampoo bottles shut  on the night of my first date.  Now at the age of 29, he has out grown his prankster days and settled into a well-groomed, gently-teasing, over-protective big brother. He played rugby for Columbia and earned a masters in architecture from MIT. He’s the kind of brother who’s good at lifting and fixing stuff. He’s the kind of brother my parents would have adored but failed to provide.

“Why can’t Stewart do it!” My parents laugh. They know what I’m trying to tell them — it was very inconsiderate to leave me as an only child. “Why can’t Stewart do it?” It’s a family joke now, but as I wheel the 300 lbs of wood-chips up the hill, I’m the only one not laughing.

“You know,” my friend Laurie said as I whined about my post-wood-chip-hauling back-ache and my MIA imaginary brother,  “you could just find yourself a boyfriend… a lumberjack boyfriend.”

She might be on to something.

We’re All Pretty, Pretty, Neurotic Princesses

Of late, I’ve found a kindred spirit in Cinderella.

Sure, I have neither an evil step-mother who locks me in an attic nor ugly step-sisters who steal my clothes and spill pizza grease on them, but I have my share of chores that keep me looking like I just rolled around in a cinder bin.

 

Every Cinderella needs her own set of seamstress mice

 

Mornings are spent makeupless in old jeans and a t-shirt running errands for the family while my mother recovers from her recent hip replacement. I race through grocery stores, power-mop the kitchen floor, dust away the cobwebs from the corners of the living room, transfer the laundry from the hamper to the washing machines, groom the dogs, and put two meals on the table while prepping the third for my return at night. The projects I’m working on have me on call 24-7, and the majority of what I accomplish during the day is done between blackberry emails on the run and conference calls from my compact-SUV. At night, I’m “training” and if I’m lucky, home in my sweats by 10PM.

In short, I’m like every other modern woman as she tries to make her way in life on her own two feet while contributing to her family’s overall well-being. There isn’t much in the way of glamor, but there isn’t much to complain about.

On the console table near my front door sits an invitation to a charity ball. The event is being organized by a woman whose generosity, strength, and heart I greatly admire, and who has recently emerged as a fairy god-mother of sorts. A little bit of sparkle is something to look forward to, especially in the name of a good cause. As for the Cinderella transformation, do you remember that scene in the Disney movie when all the worker mice team-up and create a ball-gown for Cinderella from scraps of material? Yea, I’ve got seamstress mice too. Rather than buy something new, my tailor is reviving a unique vintage piece. It is a recession after all, and I’m a big believer in “once couture, always couture.” A needle, some thread, a little bibbidi, bobbidi, boo, and I’m good to go.

Hopefully, I won’t leave a Ferragamo behind on the dance floor.

All these parallels got my friend Annie and I thinking: If the 21st century New Yorker edition of Cinderella looks like me, what would the some of the other princesses look like in today’s Grimm fairytale?

 

Grace (of "Will & Grace") is the modern Snow White, and we love her

 

Rapunzel is that girl that lets men walk all over her. She’s the one most likely to get back together with the jerk who dumped her. Because she spends most of the day locked away in her room/office, Rapunzel is bound to get into trouble when she’s partying away a Friday night. As she goes off to the bathroom to make-out with the bartender, her friends say “It’s no wonder her mother had to lock her in a tower!”

Snow White shares a flat with 3 gay guys. In fact, all of her friends are handsome gay guys who take her shopping and tell her she’s fabulous and that they can’t live without her. She stopped having girlfriends after her jealous best friend slept with her boyfriend. Snow often eats indiscriminately and feels bad about it later when she’s passed out on her sofa in an apple-turnover-induced food coma.

Sleeping Beauty is the girl we all hate because every guy hits on her and she’s totally oblivious. She has no idea how beautiful she is or how charming. Men stumble over themselves trying to buy her a drink. She’s nonchalant about dating because she never has to work to get asked out, but she doesn’t like to ruin a good night’s sleep by having a strange guy stay over.  All her friends secretly hope she has an eating disorder…

My Mother is my Wing-Woman

The Dynamic Duo of Diane & Kathleen

My mother and I make one notorious team. We’re legendary actually. We’re kind of big deals. Ask anyone in any department at Neiman Marcus or Whole Foods or Agata & Valentina or NikeTown. We’re a sort of the Hilary and Chelsea in the great world of unsung heroes. Imagine a  little Lucy and Ethyl mashed with Keri Walsh and Misty-Mae Trainer. There’s a 40-year spread between us, but you wouldn’t know it to listen to us.

We’re power-players with big ideas, big plans, and a knack for getting things done… and for getting in to trouble. What, drive 3,000 miles in 3 days to avoid taking an airplane? No problem. But we’re also a walking comedy act.  Get us together in an awkward situation, and everyone goes home giggling.

She’s a master at the big picture and too brilliant  for her own good. I’m Miss Detail and a quick study who knows how to make ideas into material things. She has experience and smarts, I have the boundless energy of youth. We’re both quick to point out the absurd and even quicker to make a wisecrack. She raised me on Farragamos, Tanqueray, and the Beatles. I introduced her to Tory Burch, Cosmopolitans, and Madonna.  She taught me everything I know about most things, but I taught her about Kirchner and Sargent. She’s my best wingwoman. When I’m out on the town with her, I never go home without a phone number.

We’d make an awesome duo in a reality show. Don’t believe me? Here’s a sneak-peak:

We're good at making biker-buddies

Scene: Kathleen and Diane are sitting in the living room.

Kathleen: Do you want to see Bob Dylan in concert?

Diane: Sure. When is he coming to New York?

Kathleen: Actually, I was thinking we’d go seem him in Cleveland. It’s about a 500 mile drive.

Diane: Okay. Did you want to rent some motorcycles too?

(Kathleen and Diane drive to Cleveland and meet up with some vintage Hell’s Angels… no joke)

~~

Scene: Kathleen and Diane are standing in the elevator of a medical building. A tall, dark, handsome resident wearing a Columbia signet ring walks in and smiles at Kathleen, who is also wearing a Columbia signet ring. On the next floor he’s gone. Diane smacks Kathleen on the back of the head.

Diane: How many times do I have to tell you! When you see a good looking man in an elevator, talk to him. As long as he doesn’t look like an axe-murder, good things may come of it.  I met your father in an elevator. I asked him if he was Dutch, because, as I told him, he had a very Dutch-looking nose. 48 years later, I’m reminding him to trim his nose-hairs.

~~
Scene: Kathleen is getting dressed for an interview. She has poison-ivy on her feet and ankles and is in crisis mode because she can’t wear her designated “interview” dress. She hollars for Diane. Diane comes up the stairs and finds Kathleen standing on the landing in high-waisted Katherine Hepburnesque pants, 3-inch Farragamo pumps, and a magenta bra:

Diane: That looks good. Why can’t you wear that?

Kathleen: Because I’m interviewing to work at an auction house, not auditioning to be one of Madonna’s backup dancers.